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Architectural design of a residential complex directly on the coast of the Marmara Sea. The villas are made in the Turkish style, distinguished by warm colors and the use of natural materials such as natural stone and wood.

The project consists of 12 residential villas consisting of two floors and a roof.
The project is characterized by being directly on the coast of the Marmara Sea in Turkey and with a different level of land, which makes all the villas have a distinctive and attractive sea view, as the demand for the coastal areas in Turkey by foreign arrivals to Turkey is increasing.

architect:
Issa H. Almetwali
client:
Iraqi group of investors
Terms:
3 Month
project type:
Exterior Design
Strategy:
Psychological Comfort
Location:
Turkey
number of blocks
6 Block
number of Villa
12 Villa
Villa type
Twins Villa
Villa Area
200 M²
Twin Villa area
400 M²
Project Area
2,790 M²

The Turkish style in the design of facades generally tends to open up to the scenic nature and landscape, so that the inhabitant of the house enjoys a view and psychological comfort when sitting in the living room.

As for the living side on the upper floor, it tends to have protrusions from the closed terraces to maintain the level of cold temperature in summer and warm temperature in winter.

The use of natural materials in the facades is the usual style in Turkey, especially in areas close to the coast directly.

Attention to the green area within the complex is one of the basics of Turkish society. It is necessary to continue with this approach because of the beauty and comfort of the project when walking or when sitting in the private or public garden of the villa.

There is a quiet sitting area for customers separated from the entrance and the bar area determined through the use of parquet. The area was provided with a green area to soften the atmosphere inside the place. Wooden tables, chairs covered with cloth and golden legs were distributed in a way that provides comfort, ease of movement and ease of providing the place with appropriate service and separating them by iron bars .
Then tiling the rest of the café with porcelain separated from the parquet, took the shape of a beehive for the separation to determine the function of each space.

The lighting was distributed in the ceiling in a simple way using the spotlights to provide the café with the appropriate and semi-natural lighting.